Did Haley Joel Osment Get Special Makeup For Ai
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It'due south been a minute since Haley Joel Osment has seen A.I. Artificial Intelligence.
The sci-fi drama from Steven Spielberg opened June 29, 2001 when he was barely a teenager, but the actor, at present 33, quickly recalls the mental challenge of playing the lead function of an android programmed with the ability to prove unconditional love.
David was an "unusual and unique" character to take on, Osment tells The Hollywood Reporterover the phone, because it involved "having to make decisions for an bogus person." Notwithstanding the central aspect of David's identity was something Osment could relate to, even filming it as an 11-twelvemonth-old schoolboy in 6th class: that idea of love.
After the human family unit he is living with have their real son cured of a illness and returned to them, David becomes jealous and menacing, which jeopardizes the potential of his mother, played by Frances O'Connor, to be affectionate toward him. Dealing with the threat of destruction, David longs to be a real boy so that she might really dearest him.
"That's his atypical focus for thousands of years," Osment says. "That beloved for his mother, and being able to wait past all the crazy things that happened to him and all the things that Jude [Law, who plays another humanoid robot] and I go through in the movie. Any other graphic symbol might have been pulled in unlike directions, he's merely singularly focused on reestablishing the connexion with his mother. That'due south his whole purpose as a person."
Osment recalls get-go meeting Spielberg at Amblin in the Fall of 1999 when the manager was still deciding whether to do Harry Potter or A.I. Osment says that, at the time, he was already a fan of Spielberg, and got a kicking out of the Jurassic Park memorabilia in his function. "A lot of his movies were really important to me at that age – they were sort of rights of passage equally I began to work more than," says Osment, naming Shut Encounters of the Third Kind, Jaws and Raiders of the Lost Ark among his favorites.
Osment, whose mother is a school teacher and encouraged him and his sis [The Kominsky Method actor Emily Osment] to read at an early age, devoured the script for A.I., which was written by Spielberg — "the kickoff screenplay Steven had done solo since A Close Run across" Osment recalls — and turned pages "like a great book." Later, the filmmaking process involved him having weighty discussions with Spielberg non just well-nigh David'due south capacity for beloved, but the idea of a homo's respect for artificial intelligence itself. "I call up he probably said in the first meeting we had: one of the large questions we're trying to deal with is what our responsibility is to these entities that we create," recalls Osment. "It was heavy stuff, but it was all a great learning feel."
Of course, the conversations too frequently involved Stanley Kubrick, who was a close friend of Spielberg's and originally intended to brand A.I., but died of a eye attack in 1999. "Starting time to talk about the genesis of that project and all their planning over the years was very exciting and remains, to this day, a very exciting thing," says Osment, who at that age had seen a lot fewer of Kubrick's movies, though was familiar with 2001: A Space Odyssey and Dr. Strangelove.
In 2013, Osment was able to visit an exhibition at LACMA in Los Angeles with original drawings Kubrick had done in the 1980s with sure artists, and witnessed the history of the whole project.
As he recalls, filming A.I. was quite a large deal. "We had a significant amount of underwater stuff to do, really deep underwater, weighted down, learning to breathe on the respirator…" Osment says, summoning a highlight of the whole feel: getting certified for scuba diving. He remembers having to perform certain stunts where he would jump in the water with "a agglomeration of atomic number 82 weights" and and so sinking similar a robot would, so trusting that a scuba diver would dive in with the respirator afterward a take was completed. "That was all a big adventure," Osment says, calculation that some underwater scenes were shot in one of the same tanks at Paramount that had been used for some shots in Jaws.
And then in that location was the entire 3-4 story house that the A.I. crew congenital "in the pit at Stage xvi at Warner Bros.," recalls Osment. "Working on a Spielberg movie, everything is merely epic in scale."
Amid the connections that Osment made on the set, which he remembers being "very comfortable" even though a lot was at stake, the thespian recalls how makeup artist Joel Harlow would spray him with latex every morn to make his pare look robotic. "He and I spent a lot of time putting on and taking off that makeup every day," says Osment, adding the pleasure of working with SFX makeup artist Stan Winston.
In addition to his moving picture and Goggle box performances, which include Extremely Wicked, Shockingly Evil and Vile, The Kominsky Method and Silicon Valley, Osment has done numerous voiceover roles over the last xx years. Among them is the Kingdom Hearts video game franchise, "the longest job I have always done" says the actor, who showtime started the projection in 2001 and recorded material for information technology last year. "It'southward great work to exercise," he says, of voiceover performances, calculation that he was able to keep working "during the depths of the pandemic" via a recording berth he gear up in his house that was "pretty soundproof" and "not quite a professional job" — though it got the chore done.
Osment says that while he does play video games in downtime and enjoys them, "games are so good these days that I tin can't get too involved with it, it's just then addictive to play all the fourth dimension." He references the advancement of not only the technology of games, but the stories inside them. "It's definitely something I appreciate."
He says that acting is "one of the most fun jobs in the world" and while has taken many times in his life to reverberate on whether in that location was anything else he wanted to focus on, particularly when he was in higher, at that place has never been a doubtfulness in his listen that this career is one of longevity for him. "I honey acting because, as with many arts, you always can learn something new — there's never a point where you completely master it and you end learning. You tin exist 90 years onetime and there'due south withal new information to uncover and new things to learn near yourself and how y'all work. That's why I recollect I'll always do it, because it's always interesting and ever gives you lot opportunities to grow."
In the hereafter, Osment says he'd like to work with director Paul Thomas Anderson and also do a motion picture in the action or activity-adventure genre, of which A.I.'southward fast-paced sequences gave him a taste.
He concludes of the experience on A.I.: "Being around someone like Steven and working with the legacy of someone similar Kubrick, it definitely was a really powerful and formative experience for me and it's had a big effect on how I come across the globe."
Source: https://www.hollywoodreporter.com/movies/movie-news/a-i-artificial-intelligence-turns-20-haley-joel-osment-reflects-on-epic-scale-of-spielberg-movie-and-legacy-of-kubrick-1234969265/
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